By brownkidd on October 9th, 2009 in LOL, TV + Film
As a huge Joel McHale fan, I’ve been watching NBC’s new comedy Community religiously since it debuted three weeks ago. My favorite part so far is hands-down the Spanish rap at the end of the 2nd episode. Tag-team beatboxing/rhyming is too just epic for words.
DJ Steve Porter remixed the scene along with some other parts of the show and the results are pretty sweet.
Here’s the original Spanish rap scene, which I highly advise you to watch, even if you’ve seen it already.
Is anybody even gonna watch this? Last season was torture for me. It seemed like each character’s motives randomly changed for no other reason than to move the plot in the direction that the writers wanted it to move in. Also, Claire and Sylar are absurdly annoying.
I might give season 4 a chance, but I have a feeling I won’t last long.
So these douchebaggy hosts of some show about death being funny are being interviewed about why death is funny. The douchebaggy male host illustrates his point by pretending to choke on a hot dog. Because apparently it’s humorous. Then God intervenes and he’s all like “WTF!? That shit ain’t funny, homes” and the dude starts really choking. The only problem is, everyone else thinks he’s acting at first until he falls to the floor.
After almost dying, I wonder if the assclown still thinks death is funny.
Here’s a crazy commercial for Phillips’ new CINEMA 21:9 aspect ratio TV. The entire sequence is meant to be played on a continuous loop, thus the title ‘Carousel’. Gotta’ love the plot twist at the end.
Created entirely by Stink Digital, this new interactive campaign promotes Philips latest entrant into the television market, the CINEMA 21:9. Since the televisions 21:9 frame lends itself so readily to film, our friends at Tribal DDB, Amsterdam commissioned us to create a piece of filmed content that could hold its own with Hollywoods best. Director Adam Berg responded with an idea for an epic frozen moment cops and robbers shootout sequence that included clowns, explosions, a decimated hospital, and plenty of broken glass and bullet casings.
This epic film is the centrepiece of the project. On its own, it clocks in at a (totally coincidental) two minutes and 19 seconds, but Berg conceived it to work as an endless loop. Visitors to the microsite therefore have the option to spin through the films single take shot repeatedly, to stop on a specific frame, or to watch it at the preordained speed. The film also contains embedded hotspots, which, when triggered, transport the viewer seamlessly from the heavily posted film to a behind-the-scenes version of the same shot. This constant moving between two layers of reality proved one of the projects biggest and most ambitious production challenges. Other details of the online execution play off the cinematic theme; the microsites loader doubles as a credit sequence, while rich media takeover banners drive traffic to the site by teasing viewers with an original Carousel trailer. All aspects of the production, from the film shoot to web design and development, were conducted by Stink Digital.
You can check this video out the way it was meant to be seen here.
This is just fucking insane. Watch this samurai cut things in slow motion. You might wanna’ put some pillows on the floor to cushion the blow when your jaw drops.