French artist, Lara Gradeill, beautifully illustrated these images for her sexy new series that includes vampires and vixens. She combines both traditional and digital art to create bold creations like those above. Check her shop here, on Behance.
Follow Albotas on Twitter | Like Albotas on Facebook
Castlevania mural by Probs.
Check out the Daily Graffiti Archives for more geektastic street art!
The “B” is for Belmont, bitches! Peep this sick new shirt from the always-righteous Bitmap’d. Show those undead bloodsuckers who’s boss with a design featuring the legendary Vampire Killer whip wrapped around Dracula’s coffin. Yours for just $18.95.
Buy: Castlevania: The Belmont Legacy
Amy Heckerling and Alicia Silverstone join forces once again in Vamps. While Heckerling’s Fast Times At Ridgemont High and Clueless have stood the test of time, Vamps looks severely dated. There’s only this trailer to go on, so there’s a slim chance the actual movie will be a bit better. Krysten Ritter’s in it, so at least it has that going for it.
Vamps will show in select theaters on November 2 before hitting Blu-ray on November 13.
(Source: slashfilm.com)
The original title of this video by Freddie Wong and crew is 8-Bitham Lincoln: Vampire Hunter, but I’m sick of peeps online making pixelated awesomeness and calling it 8-bit. Clearly, this is 16-bit. I mean, come on, really. Amirite?
A Little Bit On The Vampire Menstrual Pad Side: This Sexy Vampire Reusable Menstrual Goddess XL/Postpartum Cloth Pad is totally a real thing. It also has the best product name, like, ever. It sold on Etsy in 2009. Gross.
(via Copyranter)
Deleted Scene From LET ME IN.
I haven’t seen the original Swedish film LET THE RIGHT ONE IN or read the book, but I had the pleasure of checking out the American version, LET ME IN, and was pretty blown away. One thing I was dying to know and hoping they’d show was how the little girl turns into a vampire in the first place. Well, now I know, and I really think the scene should have been in the movie, but that’s just me.
Director Matt Reeves explains to /Film why this scene didn’t make the cut below.
